M-J de Mesterton attended Cornish School of Allied Arts in Seattle, and then moved to New
York City. Living in Manhattan, she first did freelance retouching for top art, commercial, and portrait photographers, and
finally, after years of struggle, restored artwork for the Pace/MacGill and Robert Miller galleries, and for the Museum of
Modern Art. (She also worked on Princeton University's portrait gallery, which is extensive.) And she painted fields of rocks
through it all--rocks in all sizes and shapes, some bright like jewels, others dark and atmospheric, rocks with bold, dynamic
outlines, and facets rich with shadows and filtered light, rocks that don't always look like rocks but are instead magnetic
abstractions of color and form. M-J de Mesterton paints rocks.
M-J's mission statement is divorced from complex terminology: "I use oil exclusively,
and oil paint comes from rocks." Her compositions are vibrant, and they are moody and nuanced. She harbors a deep fascination
with organic structure. "Every color we know comes from the ground below." Her fields of rocks are cold blue arroyos
that run toward fading skies, and they are glowing sunlit shapes that combine power and sensuous abandon. Melodie-Jeanne creates a
voluptuous harmony that is uniquely pleasing.
As
a kid in Seattle, M-J loved to travel into the dry lands, through the desert of Eastern Washington, toward the great Montana
plains. She called it "Cowboy Country," and dreamt even then of living in Santa Fe, where the earth meets the light
in a stark embrace. She painted the great American high desert, and the sky above it. And then she became obsessed with the
intricate shapes and colors that rest upon the ground. "I like abstraction," she says, "and I am fascinated
by materials that can be turned into energy. There is so much wonder in the natural world, and it feels like alchemy
to turn hard creations into mood regulators. After all, art is designed to shock, amuse, confuse, and bring happiness to untold
millions, right?" The question comes with a smile. "I want to paint beautiful objects, but my idea of beauty is
just a little unusual...." But her paintings are beautiful, and they are neither modern nor old-fashioned: they
exist in timeless constructs that combine bold expression with respect for genesis. "I love the earth; I love fullness
and elegant structure; I love strength and integrity of form--and I'm not afraid of scale. There is an irresistible fusion
that drives life and culture forward into the next frame. My paintings are snapshots of a moment, they exist to focus the
eye on elemental objects, and how those objects can work together to make a field that plays on human perception. I want to
move you."
Copyright 2007
Rock Painting Copyright M-J de Mesterton, 1975 
